Глава 81 из 117 · ≈ 6 мин · William James

ARE ALL DIFFERENCES DIFFERENCES OF COMPOSITION?

Текст на языке оригинала (английский). Перевод глав появится вместе со словарём-переводчиком портала.

Each of the differences in one of these uniform series feels like a definite sensible quantity, and each term seems like the last term with this quantity added. In many concrete objects which differ from one another we can plainly see that the difference does consist singly in the fact that one object is the same as the other plus something else, or that they both have an identical part, to which each adds a distinct remainder. Thus two pictures may be struck from the same block, but one of them may differ in having color added; or two carpets may show an identical pattern which in each is woven in distinct hues. Similarly, two classes of sensation may have the same emotional tone but negate each other in remaining respects—a dark color and a deep sound, for example; or two faces may have the same shape of nose but everything else unlike. The similarity of the same note sounded by instruments of different timbre is explained by the coexistence of a fundamental tone common to both, with over-tones in one which the other lacks. Dipping my hand into water and anon into a colder water, I may then observe certain additional feelings, broader and deeper irradiations of the cold, so to speak, which were not in the earlier experience, though for aught I can tell, the feelings may be otherwise the same. 'Hefting' first one weight, and then another, new feelings may start out in my elbow-joint, wrist, and elsewhere, and make me call the second weight the heavier of the twain. In all these cases each of the differing things may be represented by two parts, one that is common to it and the others, and another that is peculiar to itself. If they form a series, A, B, C, D, etc., and the common part be called X, whilst the lowest difference be called d, then the composition of the series would be as follows:

A = X + d;
B = (X + d) + d, or X + 2d;
C = X + 3d;
D = X + 4d;
. . . . . . .

If X itself were ultimately composed of d's we should have the entire series explained as due to the varying combination and re-combination with itself of an unvarying element; and all the apparent differences of quality would be translated into differences of quantity alone. This is the sort of reduction which the atomic theory in physics and the mind-stuff theory in psychology regard as their ideal. So that, following the analogy of our instances, one might easily be tempted to generalize and to say that all difference is but addition and subtraction, and that what we called 'differential' discrimination is only 'existential' discrimination in disguise; that is to say, that where A and B differ, we merely discern something in the one which the other is without. Absolute identity in things up to a certain point, then absolute non-identity, would on this theory take the place of those ultimate qualitative unlikenesses between them, in which we naturally believe; and the mental function of discrimination, ceasing to be regarded as an ultimate one, would resolve itself into mere logical affirmation and negation, or perception that a feature found in one thing, in another does not exist.


Theoretically, however, this theory is full of difficulty. If all the differences which we feel were in one direction, so that all objects could be arranged in one series (however long), it might still work. But when we consider the notorious fact that objects differ from each other in divergent directions, it grows well nigh impossible to make it do so. For then, supposing that an object differed from things in one direction by the increment d, it would have to differ from things in another direction by a different sort of increment, call it d'; so that, after getting rid of qualitative unlikeness between objects, we should have it back on our hands again between their increments. We may of course re-apply our method, and say that the difference between d and d' is not a qualitative unlikeness, but a fact of composition, one of them being the same as the other plus an increment of still higher order, δ for example, added. But when we recollect that everything in the world can be compared with everything else, and that the number of directions of difference is indefinitely great, then we see that the complication of self-compoundings of the ultimate differential increment by which, on this theory, all the innumerable unlikenesses of the world are explained, in order to avoid writing any of them down as ultimate differences of kind, would beggar all conception. It is the mind-dust theory; with all its difficulties in a particularly uncompromising form; and all for the sake of the fantastic pleasure of being able arbitrarily to say that there is between the things in the world and between the 'ideas' in the mind nothing but absolute sameness and absolute not-sameness of elements, the not-sameness admitting no degrees.

To me it seems much wiser to turn away from such transcendental extravagances of speculation, and to abide by the natural appearances. These would leave unlikeness as an indecomposable relation amongst things, and a relation moreover of which there were all degrees. Absolute not-sameness would be the maximal degree, absolute sameness the minimal degree of this unlikeness, the discernment of which would be one of our ultimate cognitive powers.[411] Certainly the natural appearances are dead against the notion that no qualitative differences exist. With the same clearness with which, in certain objects, we do feel a difference to be a mere matter of plus and minus, in other objects we feel that this is not the case. Contrast our feeling of the difference between the length of two lines with our feeling of the difference between blue and yellow, or with that between right and left. Is right equal to left with something added? Is blue yellow plus something? If so, plus what?[412] So long as we stick to verifiable psychology, we are forced to admit that differences of simple kind form an irreducible sort of relation between some of the elements of our experience, and forced to deny that differential discrimination can everywhere be reduced to the mere ascertainment that elements present in one fact, in another fail to exist. The perception that an element exists in one thing and does not exist in another and the perception of qualitative difference are, in short, entirely disconnected mental functions.[413]

But at the same time that we insist on this, we must also admit that differences of quality, however abundant, are not the only distinctions with which our mind has to deal. Differences which seem of mere composition, of number, of plus and minus, also abound.[414] But it will be best for the present to disregard all these quantitative cases and, taking the others (which, by the least favorable calculation, will still be numerous enough), to consider next the manner in which we come to cognize simple differences of kind. We cannot explain the cognition; we can only ascertain the conditions by virtue of which it occurs.

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